convos with strangers

conversations with strangers #60

strangers? yup, i talk to them. here’s why.

me: i’d like a small dark chocolate hot chocolate, please.

her: that’ll be [some amount of money i now forget].

me: *pays with cash*

her: do you want your receipt?

me: no, thanks.

her: is there anything else?

me: *stares, as if that will help decipher what she said. (you see, i had one ear bud in, but the music was on pause, so there was no reason i shouldn’t have heard her* *thinks to self: is this what it’s like for people to talk to soft-spoken me?* *sounds transmit* *brain calculates* *thinks more to self: what would normally be said at this point in a transaction?*

her: *starts to repeat herself*

me: oh, do i need anything else?

her: *smiles*

me: no, i’m all set. thanks.

then i, along with my thoughts, stepped to the side to wait for my very special brand of hot chocolate (read: it tastes like a melted candy bar.)

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convos with strangers

conversations with strangers #59

i occasionally talk to strangers. here’s the reason why.

i’d just finished my crossfit workout and was headed home. i was walking, balancing my water bottle in the crook of my arm, and typing on my phone. (i’m not normally one to type on my phone whilst walking, but i had to put in the details of my workout before i forgot them.) i came up upon the crosswalk of danger.*

*this crosswalk is named as such (by me) because, when driving, it’s incredibly hard to see pedestrians waiting to cross, so it appears they pop out of nowhere causing you to slam on your breaks to avoid (a) hitting them and (b) breaking the law of not yielding to pedestrians in the crosswalk. having been on the driving side of that, i’m usually petrified to cross there on foot. i’m very tentative and don’t usually cross until cars have stopped completely or there’s an vast gap between cars and i can sprint to the other side.

so, back to the moment. i looked up from my phone to check the status of the cars. one was headed towards me, so i turned my attention to my phone while i waited for it to pass. two voices caught my attention. i glanced up and two men were in the crosswalk. i looked back at the car. it didn’t appear to be slowing. i stared at the men. they were continuing boldly on. i looked at the car. it may have slowed its speed a touch. i studied the men. they studied me. i studied the car.

i figured “what the heck” and stepped into the road.

man #1: we’ll protect you.

man #2: we’ll stop him.

me: THANK YOU. *walks in path between two bodyguards*

my thanks was of the sincerest variety because after the workout i’d just completed, my arms were nothing more than cubes of jello and wouldn’t help in whatever precarious situation a crosswalk + a blind spot + a speeding car could create. also, that was the first time i’ve felt safe as a pedestrian on that portion of the road. thanks to those guys, maybe it’s time to rename the crosswalk of danger?

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convos with strangers

books and beyond

to reiterate my last post, i love books. i was amazed by stories of people’s first library cards then and now, i’m amazed by what books can inspire others to do.

introducing: margot wood, fauxtographer extraordinaire.

i first learned of her where i learn about everything, the twitter. someone had retweeted one of her fauxtos, which is to say, one of the scenes from a YA book she recreated and then captured on film. even i, a photography dunce, could tell the picture was stunning. granted, i’ve read or heard of most of the books that inspire her photos which makes it even more fun for me, but you don’t have to have read the book to appreciate her genius because she gives a non-spoilery account of what scene the image came from, who her model/s is/are, why she chose that scene, and any other juicy tidbits from the photo shoot.

she also has a wicked sense of humor, as is evidence by our twitter exchange with mindy mcginnis, author of the (much touted) upcoming novel NOT A DROP TO DRINK.

funny convo 1

funny convo 2

yet another reason why i love the twitter. it introduces me to the most extraordinarily creative, not to mention, like-minded people.

since mindy’s book isn’t out yet, let’s all sit back and enjoy margot’s fauxtographs!

convos with strangers

conversations with strangers #58

i occasionally talk to strangers. here’s the story of why i do such a thing.

i was walking to work on a cloudy, cool spring morning.

man: there’s a blue sky to the west.

woman: i see it!

me: *thinks to self, they’re neighbors. how cute. i see the blue sky too, but they weren’t talking to me.*

i kept my eye on the sky and continued on my way.

boy: good morning.

me: *turns head* *realizes it’s not me he’s addressing*

girl: hi!

me: *another set of neighbors or, more likely, classmates, saying hi. i love the sense of community, but when’s it my turn?*

i clutched my coffee cup and kept shuffling towards work. i spotted my sidewalk regular and knew my turn had arrived. i couldn’t contain my grin.

her: hi.

me: good morning!

and it was, especially since my route to work kept me headed literally and figuratively towards that blue sky.

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convos with strangers

conversations with strangers #57

i sometimes talk to strangers. here’s why.

i was scurrying to work on a blustery morning. i was on the later side of things and was already pondering my to do list for the day. meetings and projects and decisions and more meetings mounted in my head and i stopped paying attention to what my feet and hands were doing. as such, my thermos o’ decaf coffee hit my thigh and in direct opposition to my own clumsiness stuck its landing gracefully and upside down.

“huh,” i thought, pausing, studying, and laughing before leaning down to pick it up.

“that doesn’t happen twice,” a guy said.

i looked up at where i was; at the junction of where an apartment complex’s entrance hits the main sidewalk. of course this would happen in front of an audience. “no, it does not,” i said, smiled, and hoped the rest of my day would follow the trajectory of my thermos — graceful, albeit upside down.

it’d be better than me stumbling upright through the remaining hours.

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