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the chicken or the plot?

i was in the middle of doing some mundane work at work when a thought struck me down. it’s a question that’s been asked repeatedly and over and over and repeatedly again, but this time, i sat there and really pondered it. and then i posted that thought on twitter. because that’s how i roll.

mumfusa: WRITERS — do you come up with plot or character first? if character, do you just start writing scenes? how do you figure out his/her story?

linda_grimes: @mumfusa Characters, definitely. Then I just wait and see what they do to entertain me.

PattyBlount: @mumfusa ooo, good question. Plot or character. Almost like chicken or the egg? May be a blog post in here somewhere.

when i first read linda’s comment, i thought, “LUCKY. i wish i worked like that.” and then i came across patty’s comment, and i thought, “yeah but, i only have one MSS. i’m no expert. i have no evidence to write about.”

but then i thought some more. about both ladies’ words. and a chord struck within me. i may be tone deaf, but i can tell when something important hums across my wrinkled brain. like now, when all of a sudden i’m thinking about how i wrote my current MSS. and, in fact, i did start with the character. and moved forward from there.

and oh what a bumpy ride. i tried to push her in one direction, but my grad school mentors and workshop partners (oh how i miss them all) told me to simplify. too much was afoot. too much was amuck. and so i did. and, actually, i can’t even believe i’m about to write this because i can’t tell you how many times i’ve objected to hearing these words from other authors, but you could say i turned into a writer when i stopped to listen to her story. to hear what she had to say.

i guess it’s my quasi type A personality (i don’t mind letting others lead as long as i can maintain control over what i do), i was trying to maintain control of this situation. of the characters. and i think i still am. i’m having a hard time listening to the characters because i think I know best. but really, how do i know what’s best for someone else? i don’t. and i most likely never will. which is why i should trust the process.

but, wait, hold on. i don’t understand how to “follow my characters” because i’m the one writing the words. how do you lead and follow simultaneously?

what do YOU do? do you hang out with your character(s) and get to know them first? OR do you plop your character(s) into a scene and let them work their way through it? out of it? around it? and then let them hold the flashlight as they guide the way out of your brain and onto the page? OR do you start with the plot and only include those characters that can handle the twists and turns?

what’s a newbie to do?

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beginnings, middles, endings (and more beginnings)

i was reading through some of my very first blog posts and MAN OH MAN is that embarrassing. for many reasons:

(1) i was 22, had just moved up to boston, and had no clue about life.

(2) or writing.

(3) or editing.

(4) or censorship.

(5) or revision.

it was difficult to read through the posts and not take a metaphorical red pen to them. (i don’t think my work IT department would like it very much if they saw my screen was covered in red pen). i was reading the posts with fresh eyes and the distance that 7 years can bring. i could see so many ways to improve upon each post. how to make it smoother. smarter. sillier. sassier. more sane. but at the same time, for the purpose of preservation, i’m not going to edit those posts because it shows the progression of me as a writer, as a new Bostonian, as a newly independent adult. (unless it’s to remove certain incriminating information. people actually read this blog now, whereas when i started it, i had a limited readership of 5. ok, so now i only have a readership of 6, but sometimes that 6th person is my mom. and there are some stories that need to be slanted so as not to cause her any grief or worry or shock or gray hair).

in terms of other beginnings, i have also gone back to the start of my manuscript. i have been able to take a literal red pen to the extraneous adjectives and redudant adverbs. i’ve combined sentences and removed whole paragraphs without breaking a sweat. (me, not sweating. that’s saying something!) i’ve fixed dialogue and clarified voices. i’ve hemmed and hawed. i’ve tightened action and expanded emotion. i’ve reved up the verb usage and quieted down the questions. in short, i’ve made it readable. and laughable. and relatable. and charming.  (i hope).

i hadn’t gone back to re-read the beginning of my work since i turned in my thesis in january 2008. i haven’t gone back because i have been researching and reading and learning and talking and dabbling and writing and deleting and procrastinating and writing and deleting and reading and scratching out and writing a little more. i’ve been focused on furthering the story and fleshing out the characters and finally reaching the end. i have done that. now it’s time to go back to the future. but yeah, since i’m lazy, i decided it was easier just to go back to the beginning of my novel. so that’s what i did/am doing.

you see though, i’m a slow learner. how am i supposed to write a novel in anything under than (an x amount of) years? how do i create that distance, that objectivity, that cold calculation that allows me to slice and dice my manuscript into tip top shape? what tricks do you have in your editorial bag of magic that you can share with me? how can i get from point A (blank word document) to point B (full, query ready manuscript) in a straight line? i’m getting dizzy from all the back and forth and up and down and left and right and crisscrossing (who makes you want to JUMP JUMP). and i could use your help.

or you could just tell me a joke. that’s always appreciated.

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finding the right [words]

“If I waited for perfection, I would never write a word.” -@MargaretAtwood

this quote hits the nail on the head. wait, i’m not a handyman, that analogy’s not right.

this quote  is genius. wait, i’m not a member of mensa, how do i know what defines genius?

this quote rocks. wait, i’m completely tone deaf.

this quote is amazing. wait, i am no good at mazes and puzzles and suduku and logic.

this quote blows my mind.

SEE, this is why i often have a hard time getting myself to write. i am waiting for perfection to strike and that rarely if ever (ok, NEVER) happens with the first draft. i am waiting for perfection. that’s not normal. well, it might be normal for someone who isn’t published. and it might be considered normal for someone who is an amateur writer. and it’s definitely normal for someone who has some self-doubt swirling around in the head.

the act of waiting. is waiting even an action? it’s more like the opposite of action. and again, i am reminded of that scene in “the holiday” where kate winslet’s character realizes that she needs to be the leading lady of her own life. it seems i should follow her advice. it’s not proper to wait for anything and in fact, it’s something i despise doing. so why aren’t i getting down and dirty with words? why aren’t i down on the ground shoveling through missed metaphors and too long descriptions and poorly paced scenes? why aren’t i tumbling through paragraphs and sentences and phrases and fragments? it all sounds a lot more enticing than waiting.

the truth is, i have to write every day. and by “have to” i mean “should.” i should write every day to learn the cadences of words, the rhythm of storytelling, the rhyme of heartbreak, the sound of love, the pace of laughter. i’m not going to learn them by being afraid to write, by thinking it’s not good enough, by wondering who is reading. i am writing for me. to get better. to learn. to teach. to enjoy. to escape. to fail. to succeed.  the age old adage of “practice makes perfect” is true. i know it to be so from an athletic standpoint. and i’m learning it from a creative standpoint.

but for a small taste of something [i consider] extremely close to perfection, read this. this is the definition of an amazing writer because i have little in common with her (i didn’t go to an ivy league school, i wasn’t a lawyer, i’m not married, i don’t have kids), but her words drip with honesty and reality and humor and truths so raw, i have to check to make sure they’re still wearing clothes. in short,  i can relate to her. and her most recent post is one that i (hopefully) will have to deal with sooner rather than later. because in a life full of random, mismatched, silly stories, this is one story that i want to add to my collection. this is one story that i want to tell over and over until people can recite the story with me. and with the newfangled ways people have of meeting one another, it’s probably going to be a relatively crazy story and so i’d better get used to the idea of an untraditional beginning. (though i’d be perfectly happy to have a boring tale to tell).

NOTE TO SELF: see? this is what’s so cool. i started out with a quote about writing and ended up speaking/thinking/pondering about love. when i sit down to write, i never know what is going to happen. i need to embrace that. not be afraid. and just jump. and by jump, i mean sit down and tippity tap on the keyboard or swiggity swipe my pen across the sheet of paper. get ‘er done.

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the point. the purpose.

what is the point and the purpose of this blog? i’m writing it so YOU (whoever that may be) can get to know more about me.  so i have a forum to rant and rave about whatever strikes my fancy. to wax poetically about life lessons. or rather, to wax on and wax off. to work on my writing and develop my writing habits. (both clearly need a lot of work). to practice putting myself out there. to give myself a deadline to stick to (one post a week). to pass along tidbits of news or articles that i found funny, illuminating, ridiculous, or smart. to be a little self indulgent. to work through the self-doubt that comes with being a writer or really, doing anything creative. to get to know myself. to document my process from semi-adulthood to FULL adulthood (and i’m hoping that’ll actually happen). to figure out what post will get the most views. to join the 21st century. to give my long distance family and friends another way to know me (and they can read this on their own time).

i also HOPE that someday, once/when/IF my writing career takes off, i’ll be able to turn my blog into one of those “i’m a published writer, let’s talk about what works for me”. or a “this is how i felt when i signed with my agent”. i love those blogs. seriously. i’ve come across so many good ones. like this one. or this one. or this one and this one’s great. this one is very educational. as is this one. i have blog envy of this one because even though i’m not a mom nor am i married, her words are gorgeous and i treasure each word as if it was a hershey’s kiss slowly melting in my mouth.

but what i’d REALLY like is this: since i’m introducing myself to you every post, i’d like YOU to do the same. who are my readers? who are YOU? write a little something about yourself in the comments so i can get to know YOU as well as you know ME. even if YOU tell me in passing conversation when YOU see me that you read it all the time. or even if you’re related to me. i want YOU to comment. kthxbai.

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yup, me too

i couldn’t have said it better myself. not even if i tried really really hard and wrote through 5 drafts, so i’ll just copy and paste what kristen wrote:

12.16.09

from The Grateful Project by kmunsey

I am grateful for …

Ideas you hurriedly sketch on the back of Post It notes at work that have nothing to do with work and everything to do with the rest of your life. Ideas you take home and stick to your wall so you don’t forget.