feelings

brain candy

as was evident in my last post, i read a lot of YA books. i can only explain it like this…

ok, wait, C.S. Lewis says it SO MUCH BETTER. i’ll let him talk for me. why yes, i hired C.S. Lewis (from the grave) to be my press secretary. and without further ado…

*zombie C.S. Lewis steps up to the mic.*

“When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.” — C.S. Lewis

if you look past the guyliner, the bloody face and messy hair, it really was a lovely speech wasn’t it? thank you, monsieur Lewis.

in order not to leave you with a bad taste (read: zombie) in your mouth, here’s this article, which also does a fine job explaining why adults are so into YA right now. two words? BRAIN CANDY. (but don’t say that too loudly. you don’t want zombie C.S. Lewis to realize how scrumptious your brain looks/sounds/smells.)

and here’s this. it’s rather soothing, no?

UPDATE: speaking of brain analysis, check this out. i don’t think it was accurate, but it sure was interesting. even more fun when you put in your own blog address!

book club

tower of books

as most of you already know, i read A LOT. i pretty much have to read every day or i become one cranky monkey. on the worst days, all i get to read is a page or two before i fall asleep. on the best days, i read until i reach the end. although, sometimes, reaching the end really sucks either because i don’t like the ending or because i’m sad the story is over.

here’s a list of books i’ve read this year in no particular order:

adult:

GODS IN ALABAMA by joshilyn jackson

BECOME YOUR OWN MATCHMAKER by patti stanger (yeah, that one worked out well for me.)

THE HELP by kathryn stockett (started this as an audio book, which i highly recommend because hearing the southern accent really influences how you read the rest of the book.)

NO PLOT? NO PROBLEM! by chris baty

BEAUTY by robin mckinley

THE HOST by stephenie meyer

LIFE AFTER YES by aidan donnelley rowley

ALL CREATURES GREAT AND SMALL by james herriot

WHERE LOVE GROWS by cynthia reese

young adult:

*HUNGER GAMES, CATCHING FIRE, and MOCKINGJAY by suzanne collins

*INTO THE WILD NERD YONDER by julie halpern

GET WELL SOON by julie halpern

THE SECRET YEAR by jennifer hubbard

*IF I STAY by gayle forman

WILL GRAYSON, WILL GRAYSON by david levithan and john green

BREAK by hannah moskowitz

*THIRTEEN REASONS WHY by jay asher

*BEFORE I FALL by lauren oliver

SEA by heidi kling

THE DISREPUTABLE HISTORY OF FRANKIE LANDAU-BANKS by e. lockhart

SISTERS RED by jackson pearce

ANNA AND THE FRENCH KISS by stephanie perkins

PARANORMALCY by kiersten white

THE DUFF by kody keplinger

*THE KNIFE OF NEVER LETTING GO, *THE ASK AND THE ANSWER, *MOSTERS OF MEN by patrick ness

THE REPLACEMENT by brenna yovanoff

LINGER by maggie stievater

BALLAD, LAMENT by maggie stievater

GIRL PARTS by john cusick

ZOMBIES VS. UNICORNS, AN ANTHOLOGY edited by holly black and justine larbalestier

THE MOCKINGBIRDS by daisy whitney

YOU by charles benoit

HOW TO SAY GOODBYE IN ROBOT by natalie standiford

*LIAR by justine larbalestier

BRIGHTLY WOVEN by alexandra bracken

THE MAZE RUNNER by james dashner

*LOVE IS THE HIGHER LAW by david levithan

*THE SKY IS EVERYWHERE by jandy nelson

FLY GIRL by sherri l. smith

FALLEN by lauren kate

HUSH HUSH by becca fitzpatrick

MERMAID’S MIRROR by l.k. madigan

*FLASH BURNOUT by l.k. madigan

WHEN YOU REACH ME by rebecca stand

THE DARK DIVINE by bree despain

IF YOU COME SOFTLY by jacqueline woodson

LIPS TOUCH by laini taylor

FOREST OF HANDS AND TEETH by carrie ryan

MAGIC UNDER GLASS by jaclyn dolamore

THE DARK DAYS OF HAMBURGER HALPIN by josh berk

BIRTHMARKED by caragh o’brien

RAMPANT by diana peterfreund (first book in series is ASCENDANT)

MORNING GLORY by diana peterfreund (which, incidentally, was written from the movie script, not the other way around. i didn’t know this was an option. pretty interesting turn of events. now i have to see the movie to compare to the book!)

middle grade:

*PRINCESS FOR HIRE by lindsey leavitt

CAMILLE MCPHEE FELL UNDER THE BUS by kristen tracy

THE VIEW FROM SATURDAY by e.l. konigsburg

IT’S RAINING CUPCAKES by lisa schroeder

*AS IF BEING 12 3/4 ISN’T BAD ENOUGH, MY MOTHER IS RUNNING FOR PRESIDENT by donna gephart

*THE CASE OF THE CASE OF THE MISTAKEN IDENTITY by mac barnett

8th GRADE SUPER ZERO by olugbemisola rhuday-perkovich

audiobooks:

INSATIABLE by meg cabot

*IF I STAY by gayle forman (danger alert)

THE HELP by kathryn stockett (first two chapters. it’s all i could download. don’t mind me and my technological difficulties.)

HARRY POTTER AND THE HALFBLOOD PRINCE by j.k. rowling

i’m sure i’m missing some and as you know, december’s not even over yet so my reading continues, but sheesh, when i write it down like that, it looks like i have no life and all i ever do is read. not that there’s anything wrong with that. but maybe all this reading is getting in the way of me writing… OR…. it is research helping me to understand the industry better. all i know is thank goodness for the cambridge public library because if i didn’t have that, i’d be buried under a pile of books instead of typing this blog post.

what have you read this year? this month? this week? see any books not on my list that are must reads? i’m always open to recommendations.

*denotes the books i LOVED.

book club

BOOK HUNGRY: all creatures great and small

who says you have to be crowded into the living room/kitchen/dining room to hold a book club? we are ladies of the 21st century. we don’t need no stinkin’ couches. so pull up a blog and join in the conversation.

the members of the BOOK HUNGRY are (alphabetically): patty blount, kelly breakey, karla nellenbach, vanessa noble, alyson peterson, cynthia reese, elizabeth ryann, and myself. here’s the deal. we pick a book to read. we discuss via email. we post a review on our individual blogs on the same day (3rd thursday of the month). we link to each other. done. i know, genius. click on each one of their names (above) and it’ll take you to their review. browse. enjoy.

this month’s BOOK HUNGRY selection is:

ALL CREATURES GREAT AND SMALL by James Herriot

i am not an animal person.

*waits until crowd stops gasping*

(and by crowd, i mean the one person who’s reading this.)

i also don’t read a lot of non-fiction.

*crickets chirping*

hey, those crickets have a place in this month’s selection, which, despite the aforementioned facts, i enjoyed. and here’s why. well, wait, let me first quote james herriot himself:

“If only vetting just consisted of treating sick animals. But it didn’t. There were so many other things.” (page 173)

and THAT’S why i like this book. it’s not just about the animals and the veterinary practice herriot joined right after he graduated from vet school, it covers his crazy boss and the farmers and the town and his crazy boss’s brother and the automobiles and his clumsy search for love. (yes, i could relate to that part.)

sure, the animals have a starring role (and i found it rather fascinating to read about them from a scientific standpoint), but it’s mainly about james  herriot, an english bloke who’s fresh out of vet school and is in desperate need of a job. (hmm, sounds familiar in this economic time). what follows is herriot’s firsthand account of how he found his way into the bizarre, hilarious, never ceasing life of a country vet. it’s a coming of age story, if you will.

(can you still call it a coming of age when the main character has graduated from college and beyond?)

back to the story, herriot’s boss (siegfried farnon) said this: “There’s a very fine dividing line between looking a real smart vet on the one hand and an immortal fool on the other. This sort of thing happens to us all.” (page 196) which is why this book is so relatable. we’ve all been in situations that required us to tread softly in hopes of coming out looking like a genius instead of appearing as though we barely passed the first grade. herriot faces these situations weekly.*

i fear if i go on, i might ruin some of the most hilarious parts, so just know that the life of a veterinarian is never dull and throughout the hectic and chaotic nature of his job, herriot manages to maintain a sense of humor as well as a degree of humbleness.

if you like animals and non-fiction (or even if you don’t), prepare to be charmed by this book.

*intentional vagueness required so as not to spoil anything.

p.s. see you next month, folks, where our December pick will be THE HOST by Stephenie Meyer.

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general

pantser or plotter

in a black and white world, there are two kinds of writers: pantsers and plotters. a plotter is one who prepares plots and characters and scenes and outlines before sitting down to write a new manuscript. a pantser is one who writes by the seat of her pants, diving into the story with nary a thought to who, what, when, where, or why.

in a gray world, most writers fall somewhere in between doing a little bit of plotting before beginning and then jumping in with both feet (err, both hands on the keyboard) to see where the characters lead them. some will write a little, stop, assess, outline and write some more.

there is no right way to write, but rather a personal preference. i used to be a plotter, but after spending many years on the same manuscript, i realized i need some distance. in order to get said room, i’ve started working on something new and with that something new, i decided to write in a new way — pantser’s style.

i’m finding it quite difficult, actually. i’m getting so bogged down with the enormity of the lack of direction i have laid out for this story that i’m going way too in depth with scenes because it’s easier to move laterally instead of forward. i find it’s simpler to layer unnecessary detail after irrelevant detail than take a step in the wrong direction.

but is there really such a thing as the wrong direction?

writers, what do you do in this situation? is there a right way? a wrong way? perhaps should i stop trying to increase the word count and make a quick outline? or should i push forward and let my pants lead me? even if my pants have me doing a thriller style dance while a country twang song is on?

non-writers, what do you think you would do in this situation? perhaps your total objectivity will be of a benefit for me. or perhaps there is a mathematical formula that can solve this problem. what if i ran the quadratic formula of “the end” and then took the square root of that? will that place me somewhere in the middle of my story?

everyone, help!

book club

BOOK HUNGRY: beauty

who says you have to be crowded into the living room/kitchen/dining room to hold a book club? we are ladies of the 21st century. we don’t need no stinkin’ couches. so pull up a blog and join in the conversation.

the members of the BOOK HUNGRY are (alphabetically): patty blount, kelly breakey, karla nellenbach, vanessa noble, alyson peterson, cynthia reese, elizabeth ryann, and myself. here’s the deal. we pick a book to read. we discuss via email. we post a review on our individual blogs on the same day (3rd thursday of the month). we link to each other. done. i know, genius. click on each one of their names (above) and it’ll take you to their review. browse. enjoy.

side note to all readers: if you’ve read the book, jump in on the conversation. comment away. if you haven’t read the book, go out and buy a copy, you ninny. and then come back and comment. if you’d like to become a full time BOOK HUNGRY member, contact one of us and we’ll get you set up. no need to have a blog. we can post for you. it couldn’t be easier. and it couldn’t be more fun.

this month’s BOOK HUNGRY selection is:

BEAUTY by Robin McKinley

some books are boosted by lightning fast plots. you turn the pages so quick, you’re in danger of getting a paper cut. other books are charming in a more subtle way with the characters whispering their secrets to you. certain books grip you from the first page to the very end. others require a bit more dedication and perspiration to get through. some books you love and re-read multiple times. others you’re happy to return to the library.

all of these books deserve our attention.

this book, BEAUTY, is a re-telling of a very famous tale, which i’m sure you’ve already guessed — beauty and the beast. i happen to have the lyrics of every song from that disney movie memorized (yes, it’s been decades since i first saw it. don’t judge), so you could say i had a certain preconception when i picked up this book. i was wrong. all wrong. (wait, am i ever right?) while there are no singing dishes or giggling armoires or talking tea cups, there IS magic within these pages. it takes some time to show up, but once it does, the reward is worth the wait.

as a reader, this book won’t be hitting my “favorites list”, but there were portions i really liked. (side note:  i use a post-it note as a bookmark and when i reach a part that makes me go “oooh,” i rip the post-it note and use the smaller portion to mark the passage.) in BEAUTY, i didn’t mark any passages until the third section, but then there were so many parts i enjoyed that i needed more post-it notes, however, i was on plane and didn’t have access to any, so i resorted to writing the page numbers on the small scrap i had left. i can be resourceful, no?

but it was as a writer that i truly appreciated reading BEAUTY. it’s a solid story with some amazing passages. if i hadn’t HAD to read the book, i wouldn’t have learned that a slowly paced plot is something i want to avoid in my writing, but for this book, the pacing fit. and i would have miss out on the McKinley’s third section. the magic is literally palpable. that portion was its own course in creative writing. my point being, it’s necessary to read books you LOVE and books you don’t because it’s not always easy to pick out what you like, but it is easy to figure out what you didn’t. and then once you’ve learned what you like and don’t like, you can go ahead and incorporate it (or not) into your own work.

as elizabeth ryann said, “This book is like the literary equivalent of getting into a really hot jacuzzi. You kind of ease into it slowly, going at your own pace, and each muscle relaxes as you do. You can’t just plop down and feel more relaxed. It’s the [slow paced] process that gets you where you want to end up.” the girl has a point. the beginning (and umm, middle) parts are slow going and while i didn’t love that feature, it did get me to the end, which was entirely adorable and magical and sweet and satisfying. the end result wouldn’t have felt the same if we, the readers, had gotten there faster. also, ER had another brilliant point. the book is titled BEAUTY, not beauty and the beast. this is her story. and her life is a bit dull and we need to know that so we can fully appreciate what she gains when she joins the beast and how she changes once she’s there.

my diagnosis: read this book. read it on a quiet afternoon or on a day when it’s nothing but hectic around you or on a sunny day or on a rainy day. it’s not going to cause lightning and thunder in your brain, but it will enchant you. and who doesn’t want some magic in their life?

thanks for challenging us with your choice, elizabeth. my writerly and readerly sides bow down to you.

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